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If there’s an image you absolutely must have, I’d recommend buying it from a stock photo site instead.Īs a side note, I *think* that using images for a Pecha Kucha talk would fall under Fair Use. Tracking down the appropriate person or department is a really slow affair, and even if you get the right email address… it’s out of your hands whether your inquiry gets a response. I would recommend you not set your heart on one particular image that don’t have the rights to. That way, I could easily add in a summary of why I was asking for permission, along with my request. I ended up sending out a lot of permission requests, and found it beneficial to have a standard explanation of both Pecha Kucha and my talk saved in a. Oftentimes though, getting a response back is a difficult and/or protracted affair, so make sure you send out those inquiries early.
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If you’re preparing early enough and you encounter an image you want to use – it never hurts to email and ask permission. Gimmestock: High quality images for $1 each. Great quality, but you need to pay for the images (worth it though). IStockphoto: Royalty-free images, available for purchase based on a “credit” system. Pow!: A large collection/list of stock photography resources. High-res images are available for personal and commercial use, so long as the image is altered in some way. MorgueFile: The site name refers to old files/notes kept by criminal investigators and newspaper reporters, for use as quick references. Commercial use is NOT allowed, but personal use or internal presentations is acceptable. Stockvault: A photo sharing site with images from designers, photographers and students. Images can be downloaded and used for both personal and commercial purposes.
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Image*After: A large, free collection of photos.
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In particular, I found two of his posts ( What is good PowerPoint design? and Gates, Jobs, & the Zen Aesthetic) to be pretty helpful/interesting reads.įlickr: You can perform an “advanced” search on Flickr and specify only images that have a Creative Commons license (image attribution is often one of the requirements). I can’t stress this consistency thing enough.Ī site that may be of some interest is Garr Reynolds’ Presentation Zen blog. The more consistency there is, the easier you make it for your audience to see connections between the slides.Īnd on top of that (and perhaps most importantly), if you apply a consistent look and layout aross all your slides… your slides will automatically look that much more professional. Remember that these slides will be shown together, as a group. In designing your graphics, it’s oftentimes easy to get lost within each individual slide. If you plan on adding in small “titles” to each slide, try to make the placement of these titles consistent. However you choose to display images, try to make them consistent, slide to slide. In the span of about 20 seconds, I’d say that four images is about as much as you can touch on, if you want to say something specific about each image. When I tried to address every image in the slide that was split into four… I found myself rushing a bit (and was barely able to hit each one). And I had a few slides that were sectioned off into four images. Some slides were one large graphic, other slides were split into two tall, vertical images. Otherwise, you run the risk of turning your presentation into a speed-reading exercise for your audience. I know it’s a hard thing to do, but fight the impulse to put all the points you want to cover onto the screen.
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The slide should be an addition to, not a summary of, your ideas and concepts. Remember that the main focus here is you talking, and the purpose of the slide is that it supports your words… not the other way around. A failing in 90% of all slides is the curse of too much text. The more words on your slide, the more time the audience will spend reading (and not paying attention to you). For my money, an image can’t be too large… but it can most definitely be too small. It’s better that everyone sees the image on your slide, versus someone not being able to see it. Assuming that there will be a large crowd in attendance, imagine being someone way in the back. I’m a fan of filling the entire workable space with an image.